The San Antonio Museum of Artwork (Sama) has repatriated 9 antiquities to Italy, eight of which have been recognized by way of images that had been seized from the convicted supplier and smuggler Giacomo Medici. The ninth object, a marble head of the Greek god Hermes, had been excavated from historical Roman homes on the Caelian Hill in Rome within the late nineteenth century and, many years later, was bought to the San Antonio collector Gilbert M. Denman Jr by an Italian antiquities supplier who supplied no provenance paperwork; Denman donated it to the Sama in 1986.
The museum and the Italian Ministry of Tradition had signed a long-term settlement on cultural collaboration and alternate in 2023, and had been in discussions in regards to the current repatriations for greater than a yr. Underneath the phrases of the settlement, eight of the 9 repatriated artefacts will stay on show on the Sama, on mortgage from Italy. After the mortgage ends, different antiquities of comparable worth could also be despatched from Italy to San Antonio on an eight-year mortgage, as per the phrases of the settlement. The marble head of Hermes, in the meantime, has been returned to the Italian authorities.
“We look ahead to continued collaboration with the ministry to share extraordinary works from Italy’s wealthy cultural heritage with our guests from South Texas and around the globe,” Emily Ballew Neff, Sama’s director, mentioned in a press release.
Works returned to the Ministry of Tradition of Italy that stay on view on the San Antonio Museum of Artwork embody a fish plate from the workshop of Asteas and Python (round 340BC, left) and a krater or mixing bowl that includes a nude younger man and seated girl, and attributed to Python (round 330BC, proper) Courtesy Ministry of Tradition of Italy and San Antonio Museum of Artwork
The works that stay on show at Sama all originate from Athens or southern Italy. They embody a terracotta plate adorned with three fish from round 340BC, a pair of jugs often called epichyses with giant looping handles from the latter half of the 4th century BC, an almost 3ft-tall terracotta and pigment statue of a feminine determine from the 4th or third century BC and a krater or mixing bowl from round 330BC adorned with two figures (a nude younger man and a seated girl) rendered in a red-figure approach. All of them handed by way of public sale homes and sellers in New York and London in the course of the Nineteen Eighties and 90s previous to being acquired by the museum.
In 2016, a German scholar named Jörg Deterling alerted the museum that its marble head of Hermes had been excavated from the Caelian Hill, prompting the museum to conduct additional analysis and speak to Italy’s Ministry of Tradition. The ministry confirmed its provenance later that yr and requested the artefact’s return.
Luigi La Rocca, who leads Italy’s division for the safety of cultural heritage, mentioned in a press release: “This settlement strengthens cultural relations between Italy and the US, and stands as a global finest apply within the subject of combating illicit trafficking of cultural property.”
This isn’t the primary time that images seized throughout investigations into the smuggler Giacomo Medici (who was convicted in 2004) have supplied key proof many years later. Final yr, the Altes Museum in Berlin returned 21 Apulian vases to Italy after 4 of them have been recognized in Polaroid images present in Medici’s workplace in Geneva.
