The artwork collective generally known as MSCHF isn’t any stranger to provocation. The group has questioned the worth of artwork itself, making copies of items by Andy Warhol and Pablo Picasso, promoting forgeries and the originals as presumably genuine objects. It has shined a light-weight on wealth disparity by way of an ATM that ranks customers’ account balances. It has been sued by Nike and criticised by animal rights teams for making sneakers that comprise human blood. However whereas previously MSCHF has balanced controversy and creative advantage to various levels, its newest scheme missed the mark. Referred to as Our Cow Angus, the undertaking was imagined as a sort of social experiment to boost consciousness of animal rights points, however as an alternative shed a light-weight on the polarising nature of public discourse.
MSCHF started Our Cow Angus two years in the past when it bought a cow and pre-sold it as tokens representing 1,200 hamburgers and 4 leather-based baggage to be made when the animal reached slaughtering age. Patrons may save Angus’s life by returning their tokens by way of a “regret portal”. If 50% of tokens have been returned by the tip of the day as we speak (13 March), Angus would reside the remainder of his life on an animal sanctuary.
“The undertaking got down to create a microcosm alternate actuality which made retroactive client selection effectual,” Kevin Wiesner, a co-founder of MSCHF, tells The Artwork Newspaper. Patrons may additionally resell their tokens, permitting any involved individual to purchase shares to save lots of Angus on the secondary market, although at a considerably inflated value.
After vital returns over the past 48 hours, the undertaking handed the 50% threshold on Friday afternoon. Angus is now not heading to the slaughterhouse.
Regardless that his life was spared, it’s exhausting to not view Our Cow Angus as a failure. The experiment didn’t spark significant conversations on animal rights or the meals and style industries. A lot of the general public discourse occurred over platforms like Instagram, Discord and Reddit, the place feedback have been polarising. There have been some significant remarks, together with issues about hinging an animal’s life on an artwork undertaking, in addition to broader factors concerning the dialogue over Angus as a microcosm for discourse extra globally. However sadly, the engagement by way of these retailers (notably Discord and Reddit, the place customers favour anonymity) led to a barrage of inflammatory quips and insensitive memes supposed to impress additional division. For a undertaking that aimed to slim the hole between consumers and the merchandise they devour, the precise outcome worsened the gap, flattening mental dialogue.
The MSCHF collective is much from the one artist to make use of residing animals in an artwork undertaking. In 2000, the Chilean artist Marco Evaristti unveiled Helena, a disturbing set up of blenders, every containing a goldfish susceptible to any customer who wished to show the machine on—resulting in the deaths of no less than two fish. The artist staged an equally despicable set up in 2025, leaving three piglets to starve to demise in a cage (they have been fortunately rescued by an animal rights group). In 2014, the Aspen Artwork Museum got here beneath fireplace for exhibiting tortoises with iPads connected to their shells, which wandered across the museum’s rooftop as a part of Cai Guo-Qiang’s exhibition Transferring Ghost City. And in 2017, three items in Artwork and China After 1989: Theater of the World on the Guggenheim have been eliminated because of their use of animals, together with Huang Yong Ping’s Theater of the World (1993), which options reside reptiles and bugs.
The design for the purses that 4 consumers would have acquired if MSCHF’s undertaking Our Cow Angus (2024-26) had turned out in a different way Courtesy MSCHF
In these earlier circumstances, artists introduced the animals into the house of the gallery (and in some situations deliberately put them in hurt’s method), confronting guests with a tangible reminder of the life getting used as a spectacle. In MSCHF’s undertaking, the conceptual distance might have been too broad.
For its half, MSCHF has been sending consumers pictures of Angus, updates on the standing of his rescue and hyperlinks to the Regret Portal. “Except sharing some audience-made content material particularly concerning the intersection of meat/local weather/deforestation, our communications to consumers have been restricted to documenting Angus specifically, albeit with some anthropomorphism and pathos,” Wiesner says.
Updates have additionally been shared periodically on the undertaking’s web site, and MSCHF has provided the occasional reminder of find out how to save Angus on its social media platforms, together with info earlier this week on find out how to purchase tokens on the secondary market after which return them. Satirically, this specific submit was shared the identical day that MSCHF marketed its newest leather-based purses on the market, merchandise unrelated to Angus.
Whether or not social media commenters even personal an Angus token is unclear. When requested what the undertaking achieved, a consultant for MSCHF mentioned: “It has generated an ecosystem round Angus bigger than simply the consumers and sellers and burger and bag tokens—bigger, I believe, than we anticipated. We’ve met individuals around the globe who’ve adopted the lifetime of this cow.”
As a conceptual undertaking that lives on-line, Our Cow Angus didn’t a lot reveal the perils of the agriculture and style industries because it confirmed the pitfalls of a type of public debate now dominated by anonymity, rage-baiting and dichotomy.
